Runaway Nightmare Full Movie Hd 1080p

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Original Title: Runaway Nightmare

Genge: Action,Comedy,Horror,Mystery,Thriller

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Two dorky Nevada worm wranglers are kidnapped by a gang of beautiful women as part of a plot to steal plutonium from the Mafia.
Two worm farmers from Death Valley rescue a beautiful woman (Fate) after witnessing her live burial. The men (Ralph and Jason) attend to the unconscious girl but get captured by a commune of female cultists who only want to rescue their buried member. Cultist Fate had worked with a crime syndicate while uncovering a fortune in something (assumed to be platinum). But the platinum-filled suitcase gets seized by her cartel associates who then bury Fate as punishment. Ralph and Jason complete a bizarre initiation to become the only male members of this fourth-wave vampy group. Jason sees the experience as an adventure and finds romance with some of the members. Ralph only wants to escape where he is regarded as threatening and sexually repulsive. The cult leader, Hesperia now turns to avenge Fate's burial. The women, with their two new members steal back the valuable suitcase from a desert warehouse where Fate knows the syndicate holds the platinum. After the robbery, the angry mob trace the cultists back to the commune where the women escape by helicopter to the worm ranch. Ralph is left behind and captured while hiding the suitcase. Imprisoned in the warehouse, Ralph spots a time bomb that he had handled during his warehouse break-in earlier. Bound, he can still arm the bomb before being forced to a torture room. During the interrogation and at the moment he is to die, Ralph drops behind a desk and survives the explosion that he had set five minutes earlier. Ralph phones the bug ranch where Fate answers his call. Racing to Ralph at the burning warehouse, Fate asks about the hidden valise at the commune. Receiving her answers from shell-shocked Ralph, Fate shoots the rancher and drives to the commune where she finds what's really inside the priceless suitcase. Ralph is saved from death again by his flak-vest that he still wears from the earlier mob attack as he fumbles back to his ranch. Cult leader Hesperia has left on her helicopter alone after dumping all of the hapless cult with Ralph and Jason. Next day, Ralph has the confused women working as worm wranglers on his ranch. Later he and Jason see two men burying something over the horizon, just as in the beginning when they saw Fate's burial. The coffin this time is an oil drum filled with nuclear waste from a new nearby nuke plant. The consequences of the contaminated dump and Fate's surprise has catastrophic effects on Ralph and the cultists over the next moments.
Working/living in Death Valley, worm ranchers Ralph and Jason quietly watch a live, luscious girl being buried. They rescue the victim, Fate (Seeska Vandenberg) but get kidnapped for their trouble by the buried girl's lunatical all-female cult. Jason (Al Valletta), originally bored, finds the abduction a feast with endless romantic opportunities while Ralph (Mike Cartel), content with the quiet, uneventful desert tries now to maneuver in a bizarre, dangerous otherworld.

RUNAWAY NIGHTMARE is a serious mystery in the opening moments of ominous Joshua-treed desert with fleecy grinning clouds; vultures circling, restive winds , suggesting playfully cruel gods just over the horizon. But the audience is also foreshadowy-warned that this is a subtle, dark comedy; Worm farmers (really?) Calm one-liners, even wisecracks alongside morbidity.

You also grasp that actor/director/etcetera Mike Cartel intentionally teases with almost-sex and near ultra-violence/death. Cartel avoids these conceits like the clap, partly to contrast the '70s cinema new discovery (and flaunting) of skin, sim-sex, blood-flood and profanity-for-dialog. And partly because of the film's nature; where (stark porn and/or blood-gushing) with gorgeous lunatics is both dangerous and (with Ralph's moral character) as passionless as watching dogs mate.

Act Two is Ralph and Jason's surreal life in the man-hating/craving female commune, where the men have opposite experiences. Much involves the netherworld vignettes with its expressionist decor, creeping shadows, splashed/shaped lighting. Seldom do the scenes build and play out, although the focus is on a quick study of bizarre women in a funhouse/spook house without stalling momentum. It is also where much of the confusing subtleties are confronted with dialog-pieces rather than lengthy expositions. The aberrant editing (sideways with nuts-and-bolt edits), unpredictable events, Ralph's interchange in this off-beat sequence creates an impetus of its own. But it is here too that the audience must catch hold of Ralph, or the film will fail with no one to root for.

With a script sentence that might have read; "Fate's burial was the punishment of a crime boss (that she had previously worked with) after she had stolen from him a package-full of something priceless (platinum?)," the movie makes a detour into crime melodrama.

Here Ralph and Jason are used as decoys at the crime boss's warehouse while the cult leader, heartless Hesperia (Cindy Donlan) and her women steal back the mysterious package. The boss and his crew (who's nobody's fool) counterattacks Hesperia's Walden-Three where everyone escapes, except, of course Ralph.

Adapting as fast as the gods can invent traps, Ralph sets a time-bomb and hides the platinum package before being probed by the boss at his hideout. The bomb actually explodes before Ralph gets eviscerated, saved by his own cunning, with help from the sneaky gods.

But the audience may suspect Ralph is a slapsitck-less Lou Costello (where he sees actual monsters but no one believes him) playing to Jason's cocky, doubting Bud Abbott. You know that Ralph isn't going to die (any more than Frankenstein will hurt Costello). The gods aren't about to let their fool slip into eternal rest until they've had their fun.

Ralph phones his ranch where Jason and the girls have escaped. But it is Fate who coincidentally answers the phone; she lies that everyone has died and drives to the exploded warehouse to find Ralph. It is only Fate after-all who appears sane, who had gingerly seduced Ralph into her trust. After learning the whereabouts of her platinum, Fate toys with Ralph by happily confessing to her triple-crosses then casually shoots the man who had saved her life. But Ralph still can't find deathly peace, this time saved by his protective vest.

Now at the commune, Fate finally opens her illusive package, discovering that it actually contains something far more precious than platinum.

This is where the original script ended, with a sketchy line about cult queen Hesperia abandoning her girls to the men, who happily use them as bug ranchers. Over the months Cartel filmed five endings, finally settling on one that takes another hard turn (gods-willing) allowing Ralph's escape into the kind of indelicate immortality that only a vampire might appreciate.

RUNAWAY NIGHTMARE's comic subtlety, however overlaps into several genres (it was first marketed as a horror film) where it keeps many viewers off-balance or slaphappy (are they serious now? Where the hell is this leading to?) or degrades into farce (a hot-foot joke to end the dinner scene!?). But Ralph remains true to his character, and every mad hazard is seen through his POV, holding a forward interest with many observers intrigued, others overlooking flaws for the adventure.

And if audiences go along with Ralph they will forgive that the plot is just a platform, slowly unfolding from a mystery into a raging, screwball ride that may have finally found its gathering, beyond the art house and into the outer limits of cinephile cult. This thoroughly uncategorizable whatever-the-hell-it-is is far and away one of the most aberrant gonzo visions ever committed to celluloid(with a few shot-on-video nudity inserts). Seriously...this one will leave your head spinning for days, if not months...

The conspectus of this flippantly engendered zero-budget wonder involves a rat-pack of female criminals who abduct a couple of lowly Death Valley bug farmers(!), and forcibly enlist their aid in a plot to snare a suitcase full of plutoni...uh...PLATINUM... from a rival organized crime syndicate. The film brings down the curtain with a scene paying light homage to the 50s noir classic KISS ME DEADLY.

The deranged impetus of RUNAWAY NIGHTMARE is largely propelled by dallying shots of women posing seductively with an assortment of weapons. Considering the noticeably unfurnished nature of this conception, I suspect it was predominantly formulated as fetishistic fodder piloted at guys with a blaze in their pants for armed-and-dangerous females. Hey...sign me up. What's hotter than a chick with a gun?

Nothing...I mean NOTHING the likes of RUNAWAY NIGHTMARE has ever crossed my path...an ass-backward oddity with enough catawampus appeal to merit a small cult following. Featured castmember Georgia Durante, a noted model, gangster's moll and stuntwoman, later published her disturbing memoirs in a marvelous book(called THE COMPANY SHE KEEPS), which is every bit as bizarre as this film.
The original 1982 VHS release had mismatched B & W video inserts of bare-breasted, torso-framed models spliced into the film. All this was done by a second party distributor without the knowledge of filmmaker Michael Cartel. New DVD and Blu-ray (and 35mm positive print) formats from the 1981 negative began production in mid-2013, and do not include the counter-sexy nudie grotesques. Platinum Bombshell is the title name first registered with WGA/West in 1978 for the shooting script later known as Runaway Nightmare. All of the camera reports and movie slates during the first week of shooting bear the Platinum Bombshell title. Director Mike Cartel said the Platinum name was never intended to be the release title since it was too closely associated with actress Jean Harlow. The Runaway Nightmare name was invented by Cartel during the second week of filming and refers more to the making of the film.
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