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Original Title: International Lady

Genge: Action,Adventure,Drama,Romance,Thriller,War

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

London, at the beginning of the Second World War. Following a chance meeting two special agents, Tim Hanley, an American, and Reggie Oliver, an Englishman, join efforts to trap Carla Nilsson, a gorgeous blond night club singer, suspected of belonging to a gang of airplane saboteurs. After some bickering, the two men decide to follow her to the USA. In Sandpoint, Tim meets Grenner, an important confectionery and chocolate-maker and good friend of Carla's, around whom a group of suspicious-looking types keeps hovering. Meanwhile, Reggie also acts but either in hiding or in disguise. Are Grenner and his friends the saboteurs? Will Hanley and Oliver manage to dismantle the organization? What will become of Clara?...
The film opens with a German air-raid over the skies of London, and moves to the attempts of the F.B.I. and Scotland Yard investigators trying to circumvent the attempts of a sabotage ring dedicated to impeding the flow of American airplanes and flying fortresses to Britain(on FDR's Lend-Lease program since the United States was not yet at war against Germany and Italy.) Tim Hanley is an American agent, posing as a lawyer connected with the United States Embassy in London, and Reggie Oliver, a Scotland Yard detective, posing as a music critic, who has a hard time understanding American slang. Both are keeping their eye on Carla Nillson, a famous singer, whom they suspect of espionage. They all meet in London, then in Lisbon, and eventually in New York City, where Carla sings on the radio under the auspices and sponsorship of Siudney Grenner, a wealthy candy manufacturer, who is in reality the head of the sabotage gang. Miss Nillson may or may not know that some of the songs she sings over the radio are in code, and give instructions to the enemy operatives about airplane shipments to England. And even if she doesn't know, will she still be implicated and subject to being arrested by Tim, whom she has fallen in love with? And if she is arrested, will Tim be waiting for her when the Allies defeat the Nazis?
American George Brent (Hanley) and Englishman Basil Rathbone (Oliver) are on the trail of Nazi spy Ilona Massey (Carla). Massey is a classical music performer who gives instructions during her performances through the phrasing of her music. It's a code that Brent and Rathbone need to help to crack as every time Massey gives a performance, the Nazis score a successful military strike on the Allied Forces aircraft capacity.

There is no mystery in this film as it is clear from the beginning that Massey is a baddie. This does not matter, though, as the film is fast-moving and keeps you watching. In fact, there may be a few sequences too many. The cast are good and it seems like a pilot film for a series starring Brent and Rathbone as they solve a different mystery together each week. It would have been a good idea as they have a chemistry that works between them. Massey reminded me slightly of Marlene Dietrich and her low-pitched voice is slightly freaky. I'm surprised that she didn't sound a bit more freakish when she sang.

Unfortunately, the copy I watched was poorly taped off the TV and had serious sound interference throughout the whole film. Overall, the film entertains while it runs its course but there's nothing too special going on. Director: TIM WHELAN. Screenplay: Howard Estabrook. Original screen story: E. Lloyd Sheldon and Jack DeWitt. Photo¬graphy: Hal Mohr. Supervising film editor: Grant Whytock. Film editor: William Claxton. Music composed by Lucien Moraweck, directed by Lud Gluskin. Art director: John DuCasse Schulze. Set decorator: Edward G. Boyle. Costumes: Gwen Wakeling. Production manager: Max Golden. Assistant director: Sam Nelson. Sound editor: T.K. Wood. Sound recording: Earl Sitar. Western Electric Sound System. Associate Producer: Stanley Logan. Producer: Edward Small.

Copyright 24 September 1941 by Edward Small Productions, Inc. Released through United Artists. Presented by Edward Small. New York opening at Loew's Criterion: 10 November 1941. U.S. release: 16 October 1941. Australian release: 22 January 1942. 9,209 feet. 102 minutes.

COMMENT: Even contemporary critics regarded these spy highjinks as utter nonsense, but International Lady is a fun picture all the same. Just look at that cast! Admittedly George Brent is stiff as a board, but the rest of the players have a grand time. Ilona Massey is delightfully seductive as a spy with flair, attended by a marvelous gallery of acolytes including Gene Lockhart's suavely vicious millionaire, George Zucco's sinister butler-in-disguise and Martin Kosleck's ruthlessly over-cautious contact man.

Basil Rathbone also has a made-to-order part, complete with a clever disguise that fooled even me! True, the dialogue is often cliched and the pace - particularly in the early stages - somewhat slow. But the players (and production values) make such considerable headway against the sticky currents of comic-book plotting, that watching even the most superficial or laughably impossible of these proceedings is a delightful way to spend 102 minutes.

Production values are amazingly lavish. Director Whelan makes the most of some numblingly large and enormously atmospheric sets (superbly lit by ace photographer Hal Mohr) stretching from a realistically bombarded street scene in the London blitz to a toweringly cobwebbed granary over the Canadian border.

Despite the critical thumbs-down, International Lady was quite successful at the boxoffice. If fans had any complaint, it wasn't the silliness of the story but the fact that the requirements of the plot both curtailed and constrained Miss Massey's singing. Never mind, that plot did give her the opportunity to slink around in some appealingly exotic Gwen Wakeling gowns. You can't have everything.

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