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Flight Of The Intruder Download Movies ->>> http://urllio.com/r14ij


Original Title: Flight Of The Intruder

Genge: Action,Drama,Thriller,War

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

During the air war over Vietnam, a U.S. Navy A-6 Intruder bomber pilot schemes with a hardened veteran to make an unauthorized air strike on Hanoi.
After his bombardier is killed, Jake "Cool Hand" Grafton (Brad Johnson)', a carrier-based Intruder pilot, questions the purpose of Navy bombing missions. He finds an ally for his cynicism in Virgil Cole, a bombardier on his third tour of duty, and together they ponder the notion of one unsanctioned mission "downtown", to "Sam City" in North Vietnam.
One thing practically nobody posting on this movie is getting is the basis for the plot. Most reviewers are content to just mention that it was based on a novel and let it go at that. What I am not seeing is anybody explaining what the basis for the story was in the first place. One particularly unfortunate reviewer actually goes so far as to get it completely backward and blame the decision-making of "the American military" for the situation that leads to the pilots' frustration that in turn leads to the main line of action.

My own father was an American naval aviator during the Vietnam War and when I saw this movie it was like it had been written just for him. The entire time I was growing up (at least until Vietnam was finally over) I heard over and over again at home how our pilots were sent out to risk their lives to bomb what my father called "paths in the jungle" in preference to serious targets like downtown Hanoi. If I had a dollar for every time I heard that I would never have had to work a day in my life. Over and over again he and his naval aviator buddies would go on about how we won World War II because we bombed real targets like enemy cities but how in Vietnam the aviators were limited by the political leadership in Washington to unprofitable secondary targets in the jungle instead. As my father used to put it, "if you bomb a clearing in the jungle what do you get? A bigger clearing in the jungle!" This was part of a broader skein where American military officers of all branches were complaining that Washington was making them fight the war "with one hand tied behind us!" Later, when I was in high school, it was taught that the bombing targets were actually selected personally by the president, Lyndon Baines Johnson, his secretary of defense, Robert McNamara, and other civilian national security office-holders over lunch at the White House. It is no wonder that as a little kid I could not be blamed if I had thought Johnson's full name was "That A**hole Johnson" and McNamara's "That A**hole McNamara". Unless I watched Huntley-Brinkley (i.e., the NBC Nightly News), I rarely seemed to hear their names mentioned any other way at home.

But the policy was in fact adopted for reasons of grand strategy which ultimately hearkened back to the Korean War more than a decade earlier. Specifically, there was a serious concern that if we did attempt a "full-scale invasion" of North Vietnam or even a serious bombing campaign there that the Chinese or Russia might intervene directly with their own uniformed forces, because that had actually happened very unnervingly in Korea, thereby raising the specter of Vietnam "escalating" into World War III. Eventually the idea of increased meaningful bombing in the North also became a lightning rod for the anti-war "pacifist" protester crowd as well, only amplifying their vociferous (actually, loud, obnoxious, and even violent) complaints with increasing purely domestic political effects. Thus, without either an invasion of the North by ground troops or a traditional strategic bombing campaign of the sort that was carried out in World War II, the war dragged on for years interminably with no profit to the effort in sight except for the undertakers.

In this story the novel's author Stephen Coonts was well-aware of all this and wrote a kind of fantasy that addressed it, conceiving of rogue pilots (which, sorry for you video-gamers and other fantasy-oriented types, do not really exist in real life) who for once do the "right thing" in spite of dire personal consequences take the war "downtown" without orders and in contravention of American national policy. It was the war every naval aviator and so many others throughout the American armed forces really wanted to see, but was rarely engaged in at any point during the conflict. Yet even so, Coonts limits the target to an artillery park, i.e., a purely military target with no North Vietnamese purely civilian casualty exposure contemplated.

I hope this makes the context for this movie clearer to everybody. I will add that while the execution of the story isn't the best possible (I agree that the acting was often too clichéd or histrionic and that Danny Glover came off as a caricature of a clichéd drill instructor than a realistic angry Carrier Air Group commander; even his Steelcase desk was too modern for Vietnam), it is better than the 5.7 average rating prevailing at the time of my post, and I accordingly gave it a 7. It is, after all, only a movie, but one that if properly understood, sheds some light on the history of an era and a conflict that so fortunately is mostly behind us. While being fairly lackluster and about a half hour too long, this film is worth viewing at least once to appreciate its decent storyline based on a decent novel and to view a movie interspersed with a few notable actors plus a surprising amount of then relatively unknown actors, such as Ving Rhames (Pulp Fiction), David Schwimmer (Friends), Tom Sizemore (Saving Private Ryan), and John Corbett (My Big Fat Greek Wedding). The extensive aircraft carrier scenes were filmed aboard the U.S.S. Independence (CV-62) soon after I had arrived onboard during my active duty U.S. Navy stint. During the time of filming, I got a chance to have an impromptu one-on-one breakfast with the director (John Milius), got to read a copy of a script left in a stateroom by an actor, watch the just-developed reels of fight deck operations with Milius himself, and actually participate in a few scenes (one of which included the final flyover scene of the "Independence" in which I was one of many 'manning the rails'; a tradition of lining the edges of the entire flight deck while entering a port, and another of which was ostensibly left on the cutting-room floor).

This movie presents itself as many of the other movies of director ...

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