Hindi Revenge

[Kim Harper]

Hindi Revenge ->->->-> DOWNLOAD (Mirror #1)

Original Title: Revenge

Genge: Action,Horror,Thriller

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Never take your mistress on an annual guys' getaway, especially one devoted to hunting - a violent lesson for three wealthy married men.
The story sees three wealthy, middle-aged CEOs - all married family men - get together for their annual hunting game in a desert canyon. It's a way for them to let off steam and affirm their manhood with guns. But this time, one of them has come along with his young mistress, who quickly arouses the interest of the two others. Things get out of hand and she is left for dead in the middle of this arid hell. However, the young woman is very much alive, and the hunting game turns into a ruthless manhunt.
I think the movie has some Tarantino-esque artistic value. A ridiculous amount of blood. If people bled this much, they'd die. They would not be running around the dessert hunting each other. Watching this made me google how much blood a human body has. Fargeat has her characters bleeding 3x that, at least. And one survived! Also, get your weapon references correct. Refers to a shotgun as a rifle.

This movie is irresponsible. Sex and violence intermingled too much. What is Hollywood trying to do, screw up young impressionable minds more? Create some female mass shooters? I like that the heroin ultimately prevails, but it was really hard for me to watch. And I like dark stories. Gore for the sake of gore, tinged with some sex. Yuck. I get what Fargeat is trying to do. However, she either got overzealous in trying to be part of the uber-violent film boys club, or her producers/investors got too greedy with the "sex and violence sells" mindset. Very much in the vein of films such as Straw Dogs (1971) and Day of the Woman (1978), Revenge is an insanely gory rape-revenge thriller. In her feature debut, writer/director Coralie Fargeat displays an astonishing visual panache as she re-appropriates this exploitative sub-genre for the post #MeToo era. From the expansive John Ford-esque vistas of the desert to the claustrophobic and labyrinthine finale, her visual language is as dexterous and thematically justified as one would expect from a master stylist such as Michael Mann. The film is very much about the dangers and darker implications of the male gaze, and the way Fargeat's constantly moving camera lingers on actress Matilda Anna Ingrid Lutz' half-naked body is deeply unsettling, challenging the audience to look at her in the same way the male characters do, before turning this notion on its head in the second half of the film. If you can ignore the plot contrivances, and stomach the gore, you will find a socially relevant film that is as auspicious a debut as you're likely to see all year.

8/10 What’s interesting about Revenge is that it’s told from a female perspective – and by a female filmmaker.

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