Killshot Full Movie In Italian 720p

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Killshot Full Movie In Italian 720p >>> DOWNLOAD (Mirror #1)

Original Title: Killshot

Genge: Action,Crime,Drama,Thriller

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

When the professional killer Armand 'Blackbird' Degas falls in disgrace with the Mafia, he flees to another city in Canada. He stumbles upon the psychopath Richie Nix, who lives with his girlfriend Donna. Armand teams up with him and moves to his house. Richie summons Armand to participate in a scheme to take money from a wealthy real estate agent, but he commits a mistake and the couple Wayne Colson and Carmen Colson witness their action. They are forced to join the Witness Protection Program by the FBI and they move to another town. But Armand and Ritchie are hunting them down since they are a thread.
Beautiful Carmen Colson and her ironworker husband Wayne are placed in the Federal Witness Protection program after witnessing an "incident". Thinking they are at last safe, they are targeted by an experienced hit man and a psychopathic young upstart killer. The ensuing struggle will test Carmen to the limit.
Killshot should have had its day in court theatrically. It was a property that had been in the works for many years dating back to the mid-90s with the Weinsteins and nearly being made with a very intriguing pairing of De Niro in what is now Mickey Rourke's part of Blackbird and Quentin Tarantino in Joseph Gordon-Levitt's part of Richie Nix. And now, several years later, it comes to us direct to DVD (if it had a theatrical release I certainly missed it somehow), and considering its presentation as such, without any special features (out of shame or just not being able to get anyone for comment?) it's not that bad. At least, not as bad as one might expect, that it would be another total bastardization of a classic Elmore Leonard novel filled with talky tough guys and flawed good guys and one of those plots that's more about character than story. Well, at least not entirely.

Its story is simple: hired killer with a bad rep, Blackbird, is seen by a guy (Thomas Jane) and his ex (Diane Lane) at a real estate office, and he and his not-really partner/mentee low-life Richie Nix need to go after them, because, as the line goes "she's seen my face." There's witness protection program moving, and eventually the killers follow up on their targets, yada yada. The story seems fine, on paper. But there's something curious to it not being super suspenseful or engaging all the time (though there are some exceptions, which I'll get to in a moment), and I think it's due to John Madden's direction. It's slick but impersonal, without a whole lot of urgency and in a few scenes seemingly phoned-in. He's a director who's made a name with romance dramas sometimes successful (Shakespeare) and not (Corelli's Mandolin) and he doesn't feel at home directing something that should have been in more capable genre-director hands. Indeed, and I can't believe I'm writing this, the original choice, Tony Scott, would have been a more ideal candidate.

So if the script is only marginally strong, depending on when or when not it seems to take its cues (if not actually take from the source) of the Leonard novel (certain scenes like the Elvis dialog, or the joke about Nix "not like Stevie Nicks, have that Leonard feel, while the characters Lane and Jane play are barely two-dimensional), and the direction only competent, why the partial recommendation? Because, for the most part, the casting works. Mickey Rourke could have potentially sleep-walked through the part, but there is something of a good performance kicking around, and some scenes, like his last scene of dialog with Carmen is compelling and the method he employs (one can see Rourke sticking around Indian reservations for months for such a thankless film) work its stuff. Lane is also very good as the scared but strong Carmen, while Jane is... yeah, it's Thomas Jane, not so great.

But the real keeper here is Joseph Gordon-Levitt. This is an actor who has worked since he was young (I remember him as early as the Angels in the Outfield remake), and he's gotten better to the point that his name carries some weight. In Killshot we see him dig into what could be a conventional sociopath-maniac and give him life, moments that connect, like that very Leonard scene where he gives Carmen's mother a back-rub while in her house getting possible info. He, like Rourke, understand what potential there is in the material and seizes upon it. If the filmmakers were on the same page with (some) of the cast, it would be very memorable. Instead, it's something that one can feel a little bad for not making it just limited theatrically, but not that it may be forgotten in time like some other Leonard adaptations. The plot summary of Killshot sounds as one of many cheap thrillers which infest the dusty shelves of video stores and the night hour from some modest cable-TV channels, because we have two formulas we have seen on many movies from this genre: the retired killer who is going to do his last job, but is betrayed by his powerful bosses and the couple who accidentally witness a crime and have to run from the murderers.But...wait a minute! Killshot is based on a book written by the brilliant Elmore Leonard,the cast includes various solid actors (Mickey Rourke, Diane Lane, Joseph Gordon-Levitt, Rosario Dawson and Thomas Jane) and it is directed by John Madden, an Academy Award nominated filmmaker with a competent filmography of art-house films.In other words, before watching this movie, you do not have to expect a cheap straight-to-DVD action film in the lines of the ones which are starred by Wesley Snipes, Marc Dacascos or Steven Seagal.Killshot resulted to be a good thriller,and although it is not very memorable,it kept me entertained.

The story from this film is a bit predictable, but the intense performances and precise direction increase the suspense, so the final result is a competent thriller which achieves a good combination between Leonard's "noir" sensibility and a modern cinematographic style.

I liked the atmosphere of a small town this movie brings and to see the story set in the frontier of the United States and Canada,offering a different landscape to the typical locations from Los Ángeles or New York.I think the best elements from Killshot are its methodical rhythm and the logical chain of causes and consequences which drive us to a satisfactory ending.Although Killshot does not have much in common with Madden's previous films (Captain Corelli's Mandolin, Proof and the famous Shakespeare in Love), his mature and disciplined work is also seen in here, because he lets the story to flow on a natural rhythm.

In conclusion, Killshot is an entertaining thriller, and I can give a recommendation to it, in spite of being a bit predictable and not very memorable.
Killshot is based on the 1989 novel of the same name by American novelist Elmore Leonard. The novel was scripted for the film by Iranian screenwriter Hossein Amini. Johnny Knoxville was originally supposed to play a minor supporting character. In the novel, while the couple are under witness protection Knoxville's character begins to stalk the couple. He develops a creepy connection to Camron. Ultimately Wayne discovers his bizarre actions such as sneaking into the couple's temporary home while he's out and thus punches him. Their unhappiness and disgust with their new life is what causes the couple to return home and face the 2 killers. Test audiences strongly disapproved of the character and the performance. They felt it was distracting and an unneeded conflict that took away from the film's energy and thus his scenes were cut. Killshot was another derelict project in the Weinstein's chest that was neglected and faced negative test audience responses. The Weinsteins simply couldn't or wouldn't follow through on many projects after their departure from Miramax; a string of financially unsuccessful films also caused them to be hesitant toward releasing a project of an unknown quantity. Many actors were once attached to the film such as Justin Timberlake, Viggo Mortinsen, and Robert De Niro, with Tony Scott directing and Tarantino producing. The ensuing uncertainty was evident as the actors and directors constantly changed. Elmore Leonard was in the dark for quite some time as he didn't know whether the project would come to fruition. Thomas Jane also had no idea what the state of production of the film was, and whether or not he would have a part in it. For a while, everyone involved in the production assumed that the film would have a quiet, straight-to-DVD release. Multiple re-shoots (deemed neccesary by the studio) further delayed the film. Even that "final" version was rejected by test audiences, and was thus heavily edited, further delaying the release of the film. The finalized version of the film was heavily panned by critics and was poorly received by audiences. Cited reasons for the film's failure were a "muddled, meandering plot with an ending so cliché and done-to-death that [there was] an audible 'sigh' [heard] coming from the audience" and "poor or non-existent character development; [the film's] protagonists were given nothing more to do than bicker with each other or simply run from the hitmen." The antagonists were "at times stomach-turning and at other times boring or (what was supposed to be) 'crazed killers' but they were more obnoxious than menacing, more bumbling than professional." It was also seen as being "both pandering and insensitive" toward Native Americans. Several critics wondered if the cut scenes wouldn't have helped explain some of the decisions of the main characters, and as the film's pacing was already seen as "poor" then "it couldn't have done that much damage to an already damaged film." The film's "short" length is simply a result of how the film was edited; test audiences felt the film's pacing was too slow, that some of the tangential story lines (like the one involving Johnny Knoxville's Sheriff) detracted from the film and further slowed it down, and the fact that a film like this one clocking in at over two hours would further damage the film's commercial appeal. According to a local news report from Arizona, the Weinsteins decided to release the film in a select five theaters to see how well the film would do. They planned to go national with the release, if they were satisfied. The film earned 18,643 USD domestically. Early critics in small newspapers and websites reported the film works mildly because of Rourke's solid performance.The box office information is available here.




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