RocknRolla Movie Free Download In Hindi

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Original Title: RocknRolla

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Lenny Cole, a London mob boss, puts the bite on all local real estate transactions. For substantial fees, he's helping Uri Omovich, a Russian developer. As a sign of good faith, Omovich loans Cole a valuable painting, promptly stolen off Cole's wall. While Cole's men, led by the dependable Archie, look for the canvas, three local petty criminals, the Wild Bunch, steal money from the Russian using inside information from his accountant, the lovely Stella. Meanwhile, a local drug-addled rocker, Johnny Quid, is reported drowned, and his connection to Cole is the key to unraveling the deceits and double crosses of life in the underworld.
In London, a real-estate scam puts millions of pounds up for grabs, attracting some of the city's scrappiest tough guys and its more established underworld types, all of whom are looking to get rich quick. While the city's seasoned criminals vie for the cash, an unexpected player -- a drugged-out rock 'n' roller presumed to be dead but very much alive -- has a multi-million-dollar prize fall into his hands.
It's a Guy Ritchie film and it's got the usual shabang of characters and a singular piece of material that revolves around the whole cast. It's also a gangster film with the British humor and the f-word being used very suavely. But and here's the essential but (pun or not go figure) of this movie - the movie looks soooo 90s mate. Completely lacking substance and trying to be funny to make a sub-par plot look good, the movie goes down the pipe with every puff. Guy Ritchie is brilliant, the background and soundtrack was top notch, the dialogs are something I would love to quote, the casting was great. Would I see the movie again? Probably ten years ago. 6/10.
Meanwhile back in Cock-a-nee Land a gang of lovable rogues have stumbled into the schemes of Mr Big. A valuable item has gone missing, some shady characters are in on the scene and things are rapidly going the way of the Tom Tit. Although, of course, we can rely on our a-moral heroes to make the best of a bad situation with nothing but their native banter and a generous serving of farcical luck, to leave with the cash and the booty with enough time left for a sly wink at the camera and a gleeful swagger off into the sunset.

See, the thing with a Guy Ritchie film is that in reviewing one, you are essentially reviewing them all (with the exceptions of the overblown 'Revolver' and the less-said-the-better 'Swept Away'). For those who enjoyed 'Lock, Stock...' and 'Snatch,' 'Rocknrolla' will be instantly familiar. Substitute antique guns/diamonds for a 'lucky painting,' substitute backroom gambling/illegal boxing for the darker side of the music industry. In some ways Ritchie is an auteur - he's hit on a unique style and a familiar formula and he's taking it to new and interesting places. In other ways he's a tired hack peddling the same film three times. You'll know already which side of the fence you're on and Rocknrolla isn't about to change your mind.

For what it's worth, Rocknrolla is another ensemble piece, a complicated, multi-tiered farce linking Tom Wilkinson's ruthless property don, an Abramovich-esquire Russian businessman , a burnt-out rock star, a femme-fatale accountant and a group of guns-for-hire known as The Wild Bunch together through the theft of the Russian's lucky painting, and the coincidences and mishaps that befall each of them. Yes. A bit like 'Snatch.' And, yes, a bit like 'Lock, Stock...' Any signs that Ritchie has matured as a director in the ten years since 'Lock, Stock...' are few and far between, but you get the impression that he's not too interested in maturing anyway. 'Revolver' felt stilted and over-ambitious - 'Rocknrolla' plays out with confidence and an undeniable sense of fun. This is what Ritchie's good at - like Tarantino and Scorcese, he flounders out of his own pond, but in it there are few who can top him.

Though it would be unfair to say that 'Rocknrolla' displays no signs of Ritchie attempting something new. Perhaps the most notable difference this time around is the edge of poignancy to certain scenes - Johnny Quid's background story makes him one of the most sympathetic and arguably best anti-heroes in a Ritchie film yet, a victim of a neglected childhood and an abusive father who turns to music and drugs for escape. Hackneyed, but it's practically Shakesperean compared to Snatch's cardboard cut-outs. Then there's the funny-yet-strangely-touching relationship between Gerrard Butler's 'likeable' oaf One-Two and best friend/closet homosexual 'Handsome' Bob - played for cheap laughs, but the scene in which Butler accepts his friends 'lifestyle choice' is one of the most touching in the film and a surprisingly rare moment of compassion from a Guy Ritchie film.

No-one's going to mistake Rocknrolla for a work of cinematic genius, but in a summer where we've seen the blockbuster elevated to the status of mature cinema with the likes of The Dark Knight, it's refreshing for a film to be so unashamedly, unthinkingly entertaining. Anyone seeking two hours of pure honest thrills could do a lot worse than to check it out. It's all here: the ingenious, obscenity-laced language, the double crosses that turn into triple crosses, the swaggering characters so in love with themselves. GottaLove RocknRolla!
The script for RocknRolla was written by English film director and screenwriter Guy Ritchie. People ask the question what's a RocknRolla? And I'll tell 'em it's not about drums, drugs, and hospital drips, oh no. there's more there than that, my friend. We all like a bit of the good life - some the money, some the drugs, others the sex game, the glamour, or the fame. But a RocknRolla, oh, he's different. Why? Because a real RocknRolla wants the fucking lot. –Archy (Mark Strong) As Archy tells Johnny Quid (Toby Kebbell): "It cost a very wealthy Russian an arm and a leg (implying Uri)". Tank (Nonso Anozie) meets Archy at Lenny (Tom Wilkinson)'s office and tells him, "I have a bit of news about your painting". Cut to a scene of Lenny interrogating two men. Handsome Bob (Tom Hardy) met Stella's husband at her party and he agreed to go out with him if he could get Bob the file. In another scene Bob, is on the phone with Stella's husband and he tells Bob where to pick up the file. He and Mumbles (Idris Elba) pick it up, call One Two (Gerard Butler) and arrange to meet at his place where Archy is waiting. Tank calls him and tells him "first I find your painting, now I find out who's been taking Lenny's money". In the scene after Lenny shoots Johnny, Archy takes the file from Bob and reads from it. He tells Lenny, "but I've seen this name many times over the last 20 years and I always wondered...", and then it goes to a flashback of Archy in Lenny's office looking at a piece of paper and asking, "...who is this Sydney Shaw, Len?" Lenny snatches the paper away from him and tells him, "nothing to do with you". It's obvious Sydney Shaw was Lenny's alias and Archy being so close to Lenny knew he used that name. When Archy goes to pick up Lenny's two million from the Spealer, he says in his narration, "the Wild Bunch have had to put a little extra money on top to ignite Lenny's contacts and maybe, just maybe, Lenny's magic wand can make Bob's legal paperwork mysteriously disappear". Cut to the scene where Bob surprises One Two at Spealer, Archy calls him and tells him, "someone lose a bit of paperwork did they, One Two? Yeah well next time you remember that's exactly why you pay Lenny, understood?" "Rock and Roll Queen" by The Subways. The song used in the later trailer is "I'm a Man" by Black Strobe. Archy says, "You'll never sing the same if your teeth ain't your own." Possibly. At the end of the film, there is a title card stating, "Johnny, Archy and the Wild Bunch will be back in The Real RocknRolla", and Thandie Newton (Stella) has been quoted in MTV Movies Blog as saying, "RocknRolla is one of three films and Guy's keen to get going on that straightaway." The working title for the third movie is Rocknrolla Suicide and, according to Ritchie, would bring the characters to America. It is implied that they are both killed. Stella is probably killed by Uri's assistant Victor after Uri see that she has his painting. Her death isn't shown on screen, but is implied when Victor asks for his gloves on his way in. Uri's death is implied when Archy tells Johnny that the painting "cost a very wealthy Russian an arm and a leg". Both deaths are implied, but neither are confirmed. Perhaps it will be explained in The Real Rocknrolla.

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