The Italian Connection Torrent

[Kim Harper]

The Italian Connection Torrent ->->->-> DOWNLOAD (Mirror #1)

Original Title: The Italian Connection

Genge: Action,Crime,Thriller

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

When a shipment of heroin disappears between Italy and New York, a small-time pimp in Milan is framed for the theft. Two professional hitmen are dispatched from New York to find him, but the real thieves want to get rid of him before the New York killers get to him to eliminate any chance of them finding out he's the wrong man. When the pimp's wife and daughter are murdered in the course of the "manhunt", he swears revenge on everyone who had anything to do with it.
This is the second film from Ferdinando Di Leo I've seen and I must say I'm as unimpressed as I was after seeing Milano Calibro 9. While Di Leo might be the kind of director Tarantino loves to gab about, and some of the directors QT loves to gab about deserve all that gabbing, Di Leo's films sure don't seem to be worth much. Which is too bad because, unlike Umberto Lenzi who made fullblown caricatures of hardboiled street violence, Di Leo seems to shoot for more.

So a bunch of interesting ideas that we're already familiar from prior genre knowledge, the occasional twist to a story that is not very original or astounding, decent action set-pieces, but everything constantly undermined by bad acting and lamentable directing. Di Leo was probably a better writer than he was a director and he wasn't a great writer to begin with. Unlike the gritty, hyperkinetic realism of Kinji Fukasaku, a product of conscious artistic decision deployed with conviction as part of a larger commentary on the bleak situation of postwar Japan, Di Leo's gritty is a jumbled heap of jagged editing, awkward pans and zooms, needless cuts and cramped frames that show a director practically making it up as he went along.

Mario Adorf chews every scenery in a 3 mile radius but he does show considerable physical skills in his action scenes. Woody Strode's strong silent type on the other hand earns points for simply being strong and silent - and staring like he means it. The story of two American hit men chasing a flamboyant pimp around Milan to plant half a dozen bullets in his head for stealing drug money is half-interesting but the execution, when it doesn't erupt in outbursts of slaps and punches, leaves a lot to be desired. Although two New York hit men, Henry Silva and Woody Strode, supposedly templates of Quentin Tarantino's Jules and Vincent PULP FICTION thugs, are far better villains than local Mario Adorf is a antihero, this Italian mobsploitation juggles each character decently enough... and everything narrows down to one thing only: Adorf, as small time pimp Luca Canali, is – if Silva and Strode can help it – a dead man.

The endearing traits of imported crime movies are here in droves: the wah-wah peddle guitar vibrates through the bursting horn section orchestrating insert-heavy action scenes, naked ladies, and a pivotal car chase as Canali, with a fierce boar-like countenance, seeks the thug who killed his family.

More attention on Silva, a sly womanizing braggart, and Strode, the brooding baseline, would have been nice – they're far too cool to serve as an eventual backdrop to Canali's quest to survive and then seek answers. That is, until the incredible climactic shootout between all three within a junkyard.

Tarantino swears by this one, and who's to argue?

For More Reviews: www.cultfilmfreaks.com

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