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Johnny Yuma Tamil Dubbed Movie Torrent >>> DOWNLOAD


Original Title: Johnny Yuma

Genge: Western,Action,Drama

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

A greedy woman kills her land-owning husband with the aid of her brother. Since the husband's will leaves his land to his nephew, the woman and her brother hire a gunman to eliminate this nephew before he can claim his inheritance. The nephew, however, proves to be a resourceful fighter -- good both with his gun and with his fists -- and he manages not only to close in on his foes but also to form an alliance of sorts with the gunman who's been hired to kill him.
Johnny Yuma sure is smug. I think that's what might put people off this film a bit (cos it sure ain't Rosalba Neri). Johnny's just inherited a ranch from his uncle, who's just died from sudden bullet to the back of the head, courtesy of Neri and her brother. They know Yuma's on his way, so they arrange for an ageing gunslinger to come and do the business on Yuma too.

Yuma's lightning fast with a pistol, however, and blasts his way through enough bad guys to populate a small African country. His got a Mexican sidekick too, and I was fairly surprised at the sudden change in tone halfway through the film, as both Yuma and his sidekick play the film for laughs, so when the bad guys start doing stuff like executing Mexican folk for no reason and at one point beating a child to death (!), I was thinking that perhaps they were making up this film as they went along. They also give Yuma a good beating at one point too, but it only temporarily takes that stupid smug grin off his face.

Rosalba Neri, as usual, is lush and great. She manipulates every man in the film, including Yuma (who thinks he's got her sussed out, but he's wrong). She's the best thing about the film and greatly helps where actor Mark Damon (Yuma) just yucks it up at every given opportunity. This is an overly violent western that's well worth a watch, especially the epic gun fight at the end and the way over the top killing of one of the bad guys – a bit of a jaw dropper, that bit. "Seven Magnificent Guns" director Romolo Guerrieri helmed this above-average but uneven spaghetti western with Mark Damon, Rosalba Neri, and Lawrence Dobkin,after he made the aforementioned epic. "Johnny Yuma" wa released in the mid-1960s when Italian westerns were just hitting their stride. Indeed, "Johnny Yuma" illuminated screens before Sergio Leone's "The Good, the Bad, and the Ugly" reached cinemas. This gritty, sun-drenched, shoot'em up set in the arid Southwest imitates traditional American oaters as well as revisionist Spaghetti westers. Like a 1950s' Hollywood western, Guerrieri's sagebrusher boasts a title credits ballad. Mark Damon makes a serviceable hero, but he isn't cast in the steely mold of the monosyllabic bounty hunter. He is more of a 1950's American western hero. Moreover, he makes a point of it after he guns down three hombres and refuses to collect the bounty on them. Meanwhile, "Johnny Yuma" delivers a double-digit. Spaghetti western body count and conjures up a reasonable amount of suspense in its simple, largely dramatic, often brutal saga. The gang of trigger-happy ruffians led by a scheming wife resolve to eliminate the heir to a fortune. Guerrieri and co-scenarist Fernando Di Leo of "A Fistful of Dollars," along with Sauro Scavolini and Giovanni Simonelli of "Any Gun Can Play," have contrived a largely predictable western about betrayal, murder, and revenge. The surprises aren't plentiful, but this violent opus doesn't dawdle. The gorgeous scenery around Almeria, Spain, where "Johnny Yuma" was lensed by "Gunmen of the Rio Grande" cinematographer Mario Capriotti, serves a metaphor for life and death. Capriotti makes you feel the heat, the sweat, and the flies. Guerrieri and Capriotti like to indulge themselves with pans that rotate 360 degrees, whether they are surveying the rugged scenery or a players in a poker game. Despite its reliance on dramatic gimmicks, Guerrieri and his writers occasionally allow reality to intrude into the plot. Principally, they stress that the west of "Johnny Yuma" is a place where you can suffer death just as fatally from a gun barrel as from lack of water.

The eponymous hero of "Johnny Yuma" is an accurate, young, swift-on-the-draw gunslinger who blasted his way to fame in Yuma with his six-gun. Johnny's uncle, wealthy land owner Thomas Felton (Leslie Daniels of "Paisan"), has decided to leave everything that he owns to the pistol-packing protagonist, Johnny Yuma, because the latter is more suited to running a ranch than anybody on his wife's side of the family. We are told that Felton and his wife didn't have children. Of course, Felton's beautiful but treacherous wife Samantha (Rosalba Neri of "Lady Frankenstein") has tried without success to convince her cigar-smoking, wheel-chair bound husband to entrust everything to Pedro (Luigi Vannucchito of "The Red Tent"), her low-down brother. As it turns out, Pedro shows up to shoot Felton in cold blood at point blank range while Felton is practicing his marksmanship with black powder arms. The wife dispatches a Mexican servant, Luis 'Sancho' Fernandez, to take a letter to an ex-lover, Linus Jerome Carradine (Lawrence Dobkin of "Patton"), to kill the servant. The villains have done a shrewd job of implicating poor Sancho in the death of Felton. The remainder of the action is spent showing our hero dodge endless bullets while dropping his adversaries dead in their tracks without more than a single shot. Our hero's avowed enemy, Carradine, changes side, and they are virtually indestructible together in a gunfight. During an early saloon brawl scene, Carradine and Yuma meet and swap out gun belts. Yuma carries his Colt's revolver on his left hip, while Carradine wears his on his right hip. Carradine has a gun belt that allows him to detach the holster without having to wait for his six-gun to clear the leather. When Johnny shows up in San Marco, everybody initially mistakes him for Carradine since he has Carradine's gun belt with the initials LJC cinched around his waist.

Although "Johnny Yuma" is driven by tragic events, Guerrieri makes time for humor that seems out of place. For example, Rosalba's strip-tease for the parrot scene looks straight out of a saucy Italian sex comedy. More often than not, the action is pretty heavy-handed rather than light-footed. Poor Mexican farmers bit the dust just to show how vile the villains are, and one of these hellions kills a innocent little boy. Indeed, the villains in "Johnny Yuma" emerge as incredible dastards. In one scene, these unsavory thugs rough up our hero, giving him a real beating along the lines of "A Fistful of Dollars," but they don't beat Johnny so horribly that he can only crawl afterward. Eventually, our youthful hero Johnny teams up with an older, wiser hombre,Carradine in a standard-issue Pat Garrett and Billy the Kid relationship where an older man trains a younger man. They have done everything to make Carradine look like Lee Van Cleef's Mortimer from "For A Few Dollars More," right down to his suitcase that accommodates his six-gun. Questionable comic relief is provided by a goofy Mexican peasant who constitutes an outrageous stereotype. "Vengeance is Mine" composer Nora Orlandi provides a charismatic orchestral soundtrack that enhances the mood of this melodrama.

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